(U.S., 2010) Directed
of Darren Aronofsky.
Scenario: Mark Heyman, Andres Heinz and John McLaughlin, a story of Andres Heinz.
Cast: Natalie Portman (Nina), Vincent Cassel (Thomas Leroy), Mila Kunis (Lily), Barbara Hershey (Erica Sayers), Winona Ryder (Beth Macintyre), Benjamin Millepied (David), Ksenia Solo (Veronica), Kristina Anapau (Galina) ...
2011 Golden Globe for best actress Natalie Portman
2011 Bafta for best actress for Natalie Portman
Abstract:
Nina Ballerina is in the prestigious New York City Ballet . His life, like all her sisters, is entirely devoted to dance. When Leroy Thomas , artistic director of the company, decides to replace the ballerina Beth Mcintyre for their new show, " Swan Lake," his choice is moving towards Nina . But a newcomer, Lily , also impresses many. "Swan Lake" requires a dancer capable of playing The White Swan in all her innocence and grace, and the Black Swan, which symbolizes cunning and sensuality. Nina is perfect to dance the White Swan, Black Swan for Lily. While the rivalry between Nina and Lily turns gradually into a perverse friendship, Nina discovers, more and more fascinated, his dark side. But there may well abandon the destruction ... °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°
It seems evanescent Nina (Natalie Portman ). An angel in white tutu. A dancer damaged in its pursuit of perfection, dancing like perfect harmony, movement and music program, transcript, body and music, expression and emotion. .. At the whim of master ballet Thomas ( Vincent Cassel), ambitious, eager to dust off this Swan Lake, to offer a version where the white swan turns into a black swan, where innocent whiteness gives way to a demon burning and feverish. An application has therefore to his partner, one that replaces the former ballet star, won an election on the line by Nina face the brunette and feverish Lily ( Mila Kunis) for biting a kiss, a reaction which almost fauvesque reserved blonde would never believed it, surprising until the director himself. By inheriting the role of star, and the voltage requirement, by itself, its surroundings, will be increasingly hard to bear, the body follows, even if your feet are suffering nerve tension, but little just creeps in mind may already be a bit fragile.
We find the corner house, doll Nina illusory shelter with a former dancer mother, herself a little bit neurotic. While and outside the wrong signs cloud the situation, the terrible accident the previous star soon bid farewell to ballet made brand Nina!
While trying to follow the working sessions, the spirit of Nina seems to waver, it becomes subject to strange visions ....
Darren Aronofsky creates an atmosphere of increasingly oppressive, is a reflection of the tension hugging her heroine as the big day approaches. The many distortions of reality are they due to alone? Its double
Lily, she not only seeks to take over the role, his own mother jealous she does not prevent his success?
In a tension that will crescendo as an opening night, the moment the verdict has come! Delivered to the crowd, the public and in its opinion, can act as the "fail Caesar thumb deliver his message and Nina dare confront it ... I do
That reveals virtually nothing, the whole being largely a matter of impressions, to capture a feeling, a feeling in the air film I hesitated a long time yet as more than a week after seeing his memory, the images are well settled and the facts, certain actions become clear ... because it does not always easily deciphered a neurosis in such attire Art!
Aronofsky's film goes from then review the personality of his deranged diva, using multiple methods to evoke the malaise enveloping him and his dream is to captured by Polansky Deneuve in "Repulsion" and its character to the sick mind. Then playing with the talent of his partner, a star evening, Natalie Portman extraordinary, prudish and virginal goddess of the ballet black-split, then the director handles the film codes of anxiety process in which he excels!
seen!
CritiKat.Com "... At its best, Black Swan continues the painful exploration started with The Wrestler. The show is an ogre who sucks the flesh, devouring his children and spits cruelly remains on the tile. It takes on its victims a heavy tax of blood. Aronofsky examines the alterations actress, the reddening of his skin and did aside only on rare occasions. It is neither dance nor even the work of interest. Is performance and what it costs. The sacrifice can be measured precisely stigma: more than the heavy symbolism of its wings grow, we tithe to mark this terrible rash that arise on the skin of Nina, the sound of his bones creaking when stretching, in which his nails crack and fall ... "The
Monde.Fr -" Black Swan "pas de deux dancer terrifying for schizophrenic
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