A" Carancho "is a raptor , a scavenger. A beautiful bird much more graceful than his cousin and yet vulture feeds, along endless roads of the pampas, the many animals run over by cars.
(Argentina, 2010)
Making
Pablo Trapero
Interpretation: Ricardo Darín (Sosa), Martina Gusman (Luján), José Luis Arias (Casal) , Weber Carlos (El Perro), Fabio Ronzano (Pico) ...
Synopsis
Sosa is a "Carancho ": a lawyer specializing in traffic accidents in Buenos Aires. Thanks
insurance and corruption, unscrupulous advantage of the many victims of road that enrich a few lawyers mafia. One evening, looking for potential clients, he meets Lujan, a young emergency physician who combines working hours and to take drugs regularly. Their love story begins here, in the street at night. She tries to save the life of a man, he tries to make his client.
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Carancho night meeting between an emergency physician and a "Carancho" between a young doctor still crippled voluntary illusions and a lawyer, sidelined, temporarily removed from the order it feeds on the misfortune of others . Lawyer usurped, half true insurer it takes advantage of moments of weakness, at the very moment customers just rugged, messed accept any help illusory and sign contracts giving up so much of juicy bonuses cons immediate assistance . All
a well-functioning system in a country where accidents are numerous and where corruption is rife at all levels, from the ambulance in cahoots with the "Carancho" false to the true convenience can turn into a real factor of an accident (the course of the film will show ..), mafia quasi alliance between hospitals , police and insurance ... all this emerges a very stinking smell. What
Sosa ( Ricardo Darín ) sees a possible escape from the condition that is now hers, a possible amendment and the possibility of returning to the bar, his motivation is now called Luján (Martina Gusman ) .. and everything would be better.
Only the price is high, the situation more complex than expected, is that two wills against a mob organized almost be enough? love can move mountains all .. .. maybe ... but do not we say that who lived by the sword ... ... etc ....
Pablo Trapero sign a film is absolutely not trivial, primarily because it deals with a very real problem raised by Caracho finally emerge into the open and should give rise to a bill *, second carried by two brilliant actors Ricardo Darin recently in "In his eyes " and Martina Gusman in " Leona " Caracho exudes a real dramatic power and skillfully combines a passionate love to a near polar amid real problem Social!
* It's not for nothing that the film has met with considerable success in Argentina, where a bill, just said "anti-Carancho" has been prepared. Three years ago, thanks to Leone, Pablo Trapero had already succeeded in what mothers convicted in Justice can educate their children at home rather than in prison again, this film proves that movies both popular and demanding can sometimes move the lines.
Chapuys Sebastian (Complete article HERE )
CritiKat.Com "The structure ... Carancho openly borrows from film noir and the thriller. The same feeling of inevitability it unfolds, while a diffuse threat continues to loom the pair of lovers caught in a tragedy. Pierced by his nocturnal atmosphere of warm colors and his description of a health system facing a social violence that can not afford to treat, not unlike Carancho the Dead ... "
Excessif.Com "urgent ... romance between a vulture plucked by his feelings (Ricardo Darin, favorite actor of the late Fabián Bielinsky and recently to the poster in his eyes) and a young emergency room (Martina Gusman, already in Lion's Den and wife lovingly filmed Trapero )...."
The Monde.Fr - "Carancho": accidents de la circulation, amour a magouilles
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